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Manufacturer's ID: JD-WHE206
What we say:
Way Huge are an eccentric brand of boutique pedals designed by madcap savant Jeorge Tripps. His unique designs always sound excellent and go just that little bit further than most other pedals whilst still always offering an inspiring and usable sound. Tripps has designed some classic pedals for other companies like MXR and Line 6 but his most revered creations are from his own stable, Way Huge.
Way Huge celebrate 25 years of outstandingly odd designs with a new version of one of their celebrated classics, the Red Llama. Continuing on from where its predecessor left off, this extremely loud pedal (you have been most certainly warned: the front end volume on here is considerable!) dishes up an excellently textured overdrive that puts edge and bite into your tone.
With only three controls (one more than last time!) you can set up an excellent overdrive with a fairly high level of dirt and drive. A high cut control (instead of a conventional tone control) does as it says and takes away a little of the top end cut to smoothen out your drive sound. This is simply a fantastic sounding drive pedal.
The often imitated but never duplicated thunder of the Red Llama Overdrive is back! This is not a reproduction, but a continuation of where the groundbreaking archetype left off in 1999. Every single feature that made the Red Llama OD so mighty is still in place, right where Mr. Huge left them. Season to taste any amp, big or small, clean or dirty-this pedal is the perfect compliment to them all, with a rich harmonic palette available on the austere control panel.
Spin the Drive knob and go from a gentle grind all the way up to massive distortion. Use lower settings for defined open chording or juiced clean tones. Go a little higher for crunchy power fifths, and crank it up for buttery lead tones and tight, bottom-heavy riffage. The Volume control sets the desired amount of overall level, but be forewarned: The output capabilities of the Red Llama are legendary, with more than enough gain to force even the cleanest, most stubborn amps to submit their headroom.