EQ Pedals

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Ebow Plus

Ebow Plus

(7)
£99.00 £120.00
In Stock
BOSS NS-2 Noise Suppressor

BOSS NS-2 Noise Suppressor

(6)
£85.00
In Stock
TC Electronic Iron Curtain Noise Gate

TC Electronic Iron Curtain Noise Gate

(3)
£35.00
In Stock
BOSS GE-7 Equalizer

BOSS GE-7 Equalizer

(4)
£85.00 £92.00
In Stock
MXR M108S 10 Band Eq Silver

MXR M108S 10 Band Eq Silver

(2)
£126.00 £134.00
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ISP Micro Decimator Pedal

ISP Micro Decimator Pedal

(1)
£99.00
Available to Order
MXR M109S 6B Equalizer Silver

MXR M109S 6B Equalizer Silver

(2)
£85.00 £99.00
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BOSS AD-10 Acoustic Preamp

BOSS AD-10 Acoustic Preamp

£319.00
Free Delivery
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TC Electronic AEON Infinite Sustainer

TC Electronic AEON Infinite Sustainer

£75.00
In Stock
TC Electronic Bonafide Buffer

TC Electronic Bonafide Buffer

(1)
£55.00
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BOSS AC-3 Acoustic Simulator

BOSS AC-3 Acoustic Simulator

(3)
£119.00
In Stock
BOSS AD-2 Acoustic Preamp

BOSS AD-2 Acoustic Preamp

(1)
£99.00 £105.00
In Stock
JHS Pedals Haunting Mids EQ and Boost

JHS Pedals Haunting Mids EQ and Boost

£149.00
Available to Order
BOSS GEB-7 Bass Equalizer - 7 Band

BOSS GEB-7 Bass Equalizer - 7 Band

£99.00 £105.00
In Stock
ISP Decimator II

ISP Decimator II

(5)
£139.00
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MXR M195 Noise Clamp

MXR M195 Noise Clamp

(3)
£87.00 £124.00
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JHS Pedals Little Black Buffer

JHS Pedals Little Black Buffer

(1)
£75.00
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BOSS EQ-200 Graphic Equalizer

BOSS EQ-200 Graphic Equalizer

£219.00
Free Delivery
In Stock
Special Offer
Fulltone Secret Freq

Fulltone Secret Freq

(1)
£129.00 £169.00
In Stock
Special Offer
Suhr A.C.E. Analog Cabinet Emulator

Suhr A.C.E. Analog Cabinet Emulator

£149.00 £319.00
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Logjam Microlog 2

Logjam Microlog 2

£59.95
In Stock
Logjam Black Mamba Special Edition

Logjam Black Mamba Special Edition

£109.95
In Stock
MXR Smart Gate M135

MXR Smart Gate M135

(4)
£134.00 £182.00
In Stock
Special Offer
Fender Level Set Buffer

Fender Level Set Buffer

£59.00 £69.00
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Fender Pour Over Envelope Filter

Fender Pour Over Envelope Filter

£129.00
In Stock
Fishman Platinum Stage EQ/DI Analog Preamp

Fishman Platinum Stage EQ/DI Analog Preamp

£159.00
In Stock
Logjam Prolog Logarhythm

Logjam Prolog Logarhythm

£109.95
In Stock
Electro Harmonix Hum Debugger

Electro Harmonix Hum Debugger

£110.00
In Stock
Electro Harmonix Knockout Attack Equalizer

Electro Harmonix Knockout Attack Equalizer

£64.00
In Stock
Mesa Boogie Clearlink Converter

Mesa Boogie Clearlink Converter

£359.00 £379.00
Free Delivery
In Stock
Logjam Logarhythm 4

Logjam Logarhythm 4

£79.95
In Stock
Ex-Demo Bargain
MXR M195 Noise Clamp (Ex-Demo) #1256137401

MXR M195 Noise Clamp (Ex-Demo) #1256137401

(3)
£75.00 £87.00
In Stock
BOSS GEB-7 Bass Equalizer - 7 Band (Pre-Owned) #L5G4726

BOSS GEB-7 Bass Equalizer - 7 Band (Pre-Owned) #L5G4726

£59.00
In Stock
ISP Deci-Mate G

ISP Deci-Mate G

£199.00
In Stock

About EQ Pedals

EQ pedals, or equaliser pedals, are a powerful utility to your tone and many guitarists underestimate them! An EQ pedal is, more often than not, a compact graphic EQ with a set of sliders arranged into pre-determined frequency bands. Each slider can boost or cut its particular frequency by a given amount, allowing for some fairly drastic tonal sculpting.

There are many ways to use an EQ pedal and the pedal's effectiveness depends largely on your other equipment and the EQ pedal's placement within your signal chain. EQ pedals can be great for a solo boost, for balancing the output of different guitars, for 'scooping' your tone (lots of metal tones are heavily scooped) and for plenty of other uses besides these.

Lots of major manufacturers produce EQ pedals. BOSS and MXR make the most popular models but more are available from brands including Mesa Boogie and Electro-Harmonix. Visit your local guitarguitar UK store or check out our entire range here online.

Frequently Asked Questions about EQ Pedals

The 'scooped' sound is a famous heavy guitar sound made popular by Metallica and Pantera as well as most big 90s metal bands. The scooped sound gets its name because of the EQ curve. You literally dial the mids entirely out of the signal, whilst at the same time boosting the treble and the bass all the way up and maxing out the gain, of course. On its own it sounds spectacular. In the context of a band, the scooped sound can be difficult to work with. Nowadays, modern metal players are happy to have some semblance of midrange in their sound.
When it comes to solos, you can afford to dial in some top end. This will give you presence and more harmonic information that lets the solo punch out ahead of your rhythm sound. Experiment with boosting the upper mids and the top end on top of just a general boost of every frequency to give you more output. There is a fine art of tweaking involved here: too much is as bad as too little but focus on the upper mids & treble and don't worry about the bottom end.
Yes, basically. Boost the lower mids and then adjust to taste. Mids may not 'sound' heavy but they are your secret weapon for punching through a mix. Avoid too much bass: it sounds big but can actually make your tone woolly and slow...not what you want! Experiment with little spikes of lower mids and you may find a perfect combination of frequencies for extreme tones.
The BOSS GE-7 is our best-selling EQ pedal and has been consistently for years.