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Compressor Pedals
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Keeley Compressor Plus

Landlord FX A Cheeky Pint Optical Compressor Mini Pedal

BOSS CS-3 Compression Sustainer

MXR Dyna Comp M102 Compressor

Ampeg Opto Comp Bass Compressor

MXR M87 Bass Compressor

BOSS CP-1X Compressor

MXR M291 Dyna Comp Compressor Mini Pedal

Wampler Cory Wong Compressor Pedal

Origin Effects Cali76 Compact Deluxe

Wampler Mini Ego Compressor Pedal

Universal Audio UAFX Max Preamp & Dual Compressor

Universal Audio 1176 UAFX Studio Compressor

NUX Sculpture Compressor Mini Pedal

BOSS BC-1X Bass Compressor

Keeley Compressor Mini Pedal Black

MXR M87 Bass Compressor Blackout Series

Origin Effects Cali76 Stacked Edition

Pigtronix Philosopher's Tone Compressor

Laney Black Country Customs The Custard Factory Bass Compressor

Source Audio Atlas Compressor

MXR M228 Dyna Comp Deluxe

Maestro Arcas Compressor Sustainer Pedal

JHS Pedals 3 Series Compressor

ThorpyFX The Fat General Parallel Compressor

Keeley Compressor Pro

Fairfield Circuitry The Accountant Compressor Mini Pedal

Analog Alien Joe Walsh Double Classic Compressor/Overdrive Pedal

Arion 1980's SCO-1 Compressor (Pre-Owned)

EarthQuaker Devices The Warden V2 Compressor

Electro Harmonix Pico Platform Compressor

MXR JD-M282 Bass Dyna Comp Mini Compressor

MXR M132 Super Comp Compressor Pedal

Walrus Audio Mira Optical Compressor

MXR M76 Studio Compressor

Dod Compressor 280

Suhr Koji Compressor

Omnifex 702C Compressor (Pre-Owned) #05162

Seymour Duncan Studio Bass Compressor Pedal

Diamond Bass Comp/EQ Optical Bass Compressor and Tilt EQ
About Compressor Pedals
Compressor pedals are the perfect tool to even out your playing, giving a studio sheen to every performance.
The difference between your loudest notes and your quietest notes is known as your ‘dynamics’. A really wide dynamic range can sound a bit sloppy and haphazard. Compressors are used to smooth out your playing; giving it a much more polished, consistent feel.
Compressor pedals work by reducing the volume of your loudest notes and increasing the volume of your quietest notes. Most players aim to use compressors subtly. But some, particularly country players, will use it as a pronounced ‘squashed’ effect, where every note they play is compressed so that they are all the same volume.
Compressors are large studio units which are used on everything from vocals to drums. Compressor pedals, then, can be a bit confusing because they still use a lot of studio language like ‘Attack’, ‘Release’ and ‘Ratio’.
‘Attack’ is the first part of the note where you actually strike the string. The attack control adjusts how quickly the compressor starts working. The quicker it starts the more pronounced the compression effect.
‘Release’ is the end of the note, often called ‘Sustain’ for this reason. If you crank this control, you’ll be able to hold notes much longer.
‘Ratio’ is the difference between the loudest and quietest volume. A low ratio like 2:1 is very subtle whereas a high ratio like 32:1 is quite extreme.
If you are using a lot of overdrive and distortion, your sound is already compressed and you probably don’t need a dedicated compressor pedal. But for anyone using clean amps, compressor pedals are very useful. For this reason, they are a must have among funk, country and pop players who need a bit of polish for their clean tone.
Why Should I Choose a Compressor Pedal?
- Give every performance studio sheen
- Guitar compressor pedals smooth out haphazard playing
- Use subtly or in a pronounced, ‘squashed’ way