RME Fireface 802 USB/Firewire ...

£1,255.00 Available to Order

RME Fireface 802 USB/Firewire Audio Interface

Was £1,319.00 Save £64.00


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Manufacturer's ID: FF802

Fireface 802: 60-Channel USB & FireWire Audio Interface

The Fireface 802 renews RME’s reputation built on the legendary Fireface 800. 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features

A legend Reborn

Ultra-low latency operation with USB or FireWire, combined with the legendary RME driver stability and maintenance. Active jitter suppression, individually switchable reference levels for all inputs and outputs, full stand-alone functionality, RME’s unique DIGICheck metering and analysis toolbox, and identical operation on Windows PC and Mac.

TotalMix FX, RME’s digital high-end mixer and signal router, driven by two powerful DSPs, with integrated EQ, Dynamics and Reverb/Echo effects at up to 192 kHz, plus a built-in monitoring controller.

The full-blown feature set also includes optional Class Compliant mode and operation with TotalMix FX for iPad, RME’s app to fully control the 802 from the iPad, without any computer. The easy to use app includes metering for all 90 channels plus effects bus, different setup screens, and complete control of all features.

The Fireface 802 is a highly integrated pro audio solution, a full-blown studio, all within a 19” enclosure. An interface designed for users who don’t want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivaled professional feature set. Once again a milestone interface from RME, including the best of the best and even a bit more.

Professional high-transparency Preamps

For Microphones and Instruments with Low Latency Conversion. The 802 has four high-transparency preamps, also with low latency converters. Microphone and instrument preamps of the 802 use the classic technology of the OctaMic II, a high-end preamp for supreme sonic demands and critical applications, like the professional recording of classical concerts. The symmetrical preamp design impresses with extremely low distortion, excellent signal to noise ratio and a perfect linear frequency response. A premium solution for transmitting and amplifying any audio input truly unchanged, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.


AD, Line In 1-8, rear Input: 6.3 mm TRS jack, electronically balanced
DA - Stereo Monitor Output Phones (9-12) Output: 6.3 mm TRS stereo jack, unbalanced
Microphone In 9-12, front Input: XLR, electronically balanced
Instrument In 9-12, front Input: 6.3 mm TS jack, unbalanced
DA, Line Out 1-8, rear Output: 6.3 mm TRS jack, servo-balanced
ADAT OPTICAL 2 x TOSLINK I/O, format according to Alesis specification
SPDIF OPTICAL (VIA ADAT2) 1 x optical, according to IEC 60958
WORD CLOCK BNC, switchable termination