RME Fireface UFX II Audio Interface
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Manufacturer's ID: RME-FIREFACE-UFX-II
Fireface UFX II: 60-Channel 192kHz high-end USB Audio Interface
20th Anniversary Flagship Interface
The unique Fireface UFX II is the premier solution to transfer analog and digital audio data directly to a computer from practically any source.
Numerous unique features, well thought-out configuration dialogs, an industry-leading mixing engine and monitoring solution, professional DSP effects and class-leading analog circuits with latest digital converters put the Fireface UFX II at the very top of the range of computer-based audio interfaces.
Fireface UFX II - The USB Flagship Interface
With exceptional flexibility and compatibility, the inclusion of DURec (Direct USB Recording), and RME’s famous low latency hardware and driver designs, the Fireface UFX II delivers a rich feature set that will appeal to users in both high end home studios and commercial audio production facilities.
With capacity for 60 audio channels (30 input and 30 output), support for sampling frequencies upward of 192 kHz, and the flexibility provided by USB connectivity, the new Fireface UFX II is an ideal solution to a wide range of recording, mixing, and monitoring applications.
The Fireface UFX II offers excellent flexibility that enables the interface to fit seamlessly into a myriad of production environments. Analog, ADAT, AES, SPDIF, and USB 2 are all standard on the Fireface UFX II. Equally impressive is the unit’s channel count: 12 analog, 16 ADAT, and 2 AES for 30 channels input and 30 channels output. Further, with support for USB 2 connectivity, the new Fireface UFX II can integrate with RME’s optional ARC USB remote controller.
RME’s Fireface UFX II incorporates premium AD/DA converters, optimized analog I/O circuits, as well as improved SNR and THD values to guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range provides trouble-free operation for the most demanding recording environments.
Further, new low impedance, high power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power and volume on any headphones - high or low impedance.
Flexible Routing & Mixing with TotalMix FX
Since 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind.
With supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete.
TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.
TotalMix FX for iPad™ App
TotalMix FX for iPad™ adds full control over hardware mixer and DSP effects for Fireface UFX+, UFX II, UCX, 802, Babyface, Babyface Pro and MADIface Pro when in Class Compliant Mode, and lets you create, store and load complete mixes directly from the iPad™
DURec (Direct USB Recording)
DURec is an integrated digital recorder for all inputs and outputs directly to USB memory devices via the front USB port. The Fireface UFX+ and Fireface UFX II records on USB thumb drives or hard drives with up to 2 TB capacity. The recording functionality is provided by the internal DSP, and is therefore independent from a connected Windows or Mac computer. The Direct USB Recording converts the Fireface UFX Series both into a stand-alone field recorder and a powerful multichannel live player for previous recordings, e. g. for virtual sound checks. Live concerts, band rehearsals or spontaneous jam sessions can be directly recorded and played back from the medium - even completely stand-alone without computer or software.
|Analog Inputs||Line In 1-8 Rear: 6.3 mm TRS jack, electronically balanced
Microphone In 9-12 front: XLR, electronically balanced
Instrument In 9-12 front: 6.3 mm TS jack, unbalanced
|DA Outputs|| Line Out 3-8 rear: 24 bit
Stereo Monitor Output XLR (1-2): Balanced
Stereo Monitor Output Phones (9-12): 2 x 6.3 mm TRS stereo jack, unbalanced
|MIDI||2 x MIDI I/O via 5-pin DIN jacks
Hi-speed mode: Jitter and response time typically below 1 ms
|DIGITAL INPUTS||1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
2 x TOSLINK, format according to Alesis specification 1 x optical, according to IEC 60958
|DIGITAL OUTPUTS||XLR, transformer-balanced, galvanically isolated, according to AES3-1992
2 x TOSLINK
Format Consumer (SPDIF) according to IEC 60958
|Dimensions||(WxHxD): 440 x 44 x 210 mm (17.3" x 1.73" x 8.3")|
|Weight||3 kg ( 6.6 lbs)|