RME Babyface Pro FS Audio Inte ...

£649.00 Available to Order

RME Babyface Pro FS Audio Interface

RRP £678.00 Save £29.00


Available to Order

Place your order today and we will email you when we have an estimated delivery date.

Includes 30-Day Exchange & 3-Year Warranty

Buy with confidence: We're the 1st, and only, UK guitar retailer to offer a 3-year warranty & 30-day exchange as standard.

Notify me when in stock

We'll share some similar product recommendations, and if the item does not come back in stock we will let you know.

Frequently Bought Together

Total Price: £

Manufacturer's ID: RME-BABYFACE-PRO-FS

Babyface Pro FS: 24-Channel 192 kHz bus-powered professional USB 2.0 Audio Interface

Four years ago the Babyface Pro again demonstrated RME’s absolute commitment to superior craftsmanship, not only in audio circuits and driver development, but also in mechanics. Created with the highest precision from a block of aluminum, this high-end portable interface incorporated newly designed analog and digital circuits. Its innovative energy saving technologies provided supreme fidelity with no compromises in level, noise or distortion.

In the new Babyface Pro FS even more improvements were implemented:

  • +19 / +4 dBu switch on the bottom adds a direct way to reduce the output level, thus improves SNR for sensitive active monitors, avoids distortion / overload, and helps to keep TotalMix FX faders near 0 dB instead of high attenuations.
  • Full SteadyClock FS circuit as in the ADI-2 Pro FS for lowest jitter and highest jitter immunity.
  • 3.5 mm TRS phones output power rises from 70 mW to 90 mW. THD of both phones outputs improved by up to 10 dB. Uses same output op-amps as ADI-2 Pro now. Output impedance of 3.5 mm TRS lowered from 2 Ohms to 0.1 Ohms.
  • Mic inputs SNR improved from 112.2 dB to 113.7 dB, TRS Line inputs SNR improved from 114 dB to 116.3 dB (120 dBA). THD Line inputs improved by 8 dB.
  • 6 samples less latency on the AD side by new ADC (5 samples AD, 7 samples DA. It won't get quicker...).
  • All the above improvements were achieved without raising the units power consumption.
  • K-slot for theft protection.


AD, Microphone/Line 1-2 Input: XLR, electronically balanced
Input impedance balanced: 2 kOhm, 5.2 kOhm with PAD
Input impedance unbalanced: 1 kOhm, 2.6 kOhm with PAD
AD, LINE/INSTRUMENT IN 3-4 Input: 6.3 mm TS jack, unbalanced
Input impedance: 1 MOhm
DA, Line Out 1-2 Output: XLR balanced
Dynamic range (DR): 115 dB RMS unweighted, 118 dBA
Frequency response @ 44.1 kHz, -0.5 dB: 0 Hz – 20.8 kHz
Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 45 kHz
Frequency response @ 192 kHz, -1 dB: 0 Hz - 89 kHz
DA, PHONES 3/4 Output: 6.3 mm TRS jack, unbalanced
Output impedance: 10 Ohm
MIDI 1 x MIDI I/O via breakout cable with 2 x 5-pin DIN jacks
Galvanically isolated by optocoupled input
Hi-speed mode: Jitter and response time typically below 1 ms
DIGITAL Clocks: Internal, ADAT In, SPDIF In
Supported sample rates: 28 kHz up to 200 kHz
ADAT Optical Input 1 x TOSLINK
Standard: 8 channels 24 bit, up to 48 kHz
Double Speed (S/MUX): 4 channels 24 bit 96 kHz
Quad Speed (S/MUX4) : 2 channels 24 bit 192 kHz
SPDIF optical Input 1 x optical, according to IEC 60958
Lock Range: 27 kHz – 200 kHz
ADAT optical Output 1 x TOSLINK
Standard: 8 channels 24 bit, up to 48 kHz
Double Speed (S/MUX): 4 channels 24 bit 96 kHz
Quad Speed (S/MUX4) : 2 channels 24 bit 192 kHz
SPDIF optical Output 1 x optical, according to IEC 60958
Format Consumer (SPDIF) according to IEC 60958
Sample rate 28 kHz up to 200 kHz
Power Supply USB bus power or external power supply
Dimensions (WxHxD): 108 x 35 x 181 mm (4.25" x 1.4" x 7.1")
Weight 680 g ( 1.5 lbs)