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RME UCXII Audio Interface
£1,259.00
In Stock
Order now for FREE Delivery on Tuesday
Includes Extended Exchange & 3-Year Warranty
Manufacturer's ID: FFUCXII
40 Channel Advanced USB Audio Interface
The Fireface UCX II is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. It continues RME's long tradition of designing compact high-end interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels.
The most powerful & portable RME Audio USB Interface
This unique audio system is capable of transferring analog and digital audio data directly to Windows and Mac computers. The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features like a well thought-out Settings dialog and an integrated routing solution realize a quick, comfortable and efficient operation of the Fireface UCX II.
The Fireface UCX II houses two mic/line preamps in XLR combo configuration on the front panel, along with two digitally controlled line/instrument inputs, followed by a headphone jack, various control buttons, a display, and the main volume knob. At the rear is a set of ten analogue balanced line inputs and outputs, MIDI I/O, ADAT I/O, AES/EBU and SPDIF I/O, USB 2.0 as well as a switchable word clock I/O.
With the SteadyClock FS, the Fireface UCX II features the latest clock and jitter rejection technology from RME. Based on a femtosecond clock, SteadyClock FS reduces the intrinsic jitter when converting from and to analogue over all digital formats to a new all-time low.
40-Channels ready for your Mobile Recording Rig
DURec is an integrated digital recorder for all inputs and outputs directly to USB memory devices via the rear USB port. It allows to record on USB thumb drives or hard drives with up to 2 TB capacity. The recording functionality is provided by the internal DSP, and is therefore independent from a connected Windows or Mac computer. This USB port can alternatively be used for direct connection of RME’s optional ARC USB remote control.
The Direct USB Recording converts the Fireface UCX II into a stand-alone field recorder and a powerful multichannel live player for previous recordings, e. g. for virtual sound checks. Live concerts, band rehearsals or spontaneous jam sessions can be directly recorded and played back from the medium - even completely stand-alone without computer or software. All input and output channels can be individually chosen for recording and playback.
Powerful Applications for Mixing, Monitoring and Measurement included
The Fireface UCX II comes with the TotalMix FX DSP mixer offering comprehensive routing and monitoring options, as well as the DIGICheck Analyzer allowing to measure and analyze the digital data feed in both directions with maximum precision. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.
The additional TotalMix Remote is a remote control for TotalMix FX, to control the hardware mixer and effects in RME audio interfaces. TotalMix Remote mirrors the current state of the host system on the iPad and Windows/Mac computers - the entire mixing state, the complete routing, all FX settings, up to the level meters, and everything in real-time. Easily adjust all the mixer and FX settings from a distance, via Ethernet and WiFi.
Specification
AD, Line In 5-8, rear | ||
Signal to Noise ratio (SNR): | 112 dB RMS unweighted, 115 dBA | |
Frequency response @ 44.1 kHz, -0.1 dB | 5 Hz – 20.8 kHz | |
Frequency response @ 96 kHz, -0.5 dB | 3 Hz – 45.8 kHz | |
Frequency response @ 192 kHz, -1 dB | 2 Hz - 92 kHz | |
THD | < -110 dB, < 0.00032 % | |
THD+N | < -104 dB, < 0.00063% | |
Maximum input level | +19 dBu | |
Channel separation | > 110 dB | |
Input | 6.3 mm TRS jack, electronically balanced | |
DA, Line Out 1-6, rear | ||
Dynamic range (DR) | 112 dB RMS unweighted, 115 dBA | |
Frequency response @ 44.1 kHz, -0.5 dB | 5 Hz – 20.8 kHz | |
Frequency response @ 96 kHz, -0.5 dB | 5 Hz - 45 kHz | |
Frequency response @ 192 kHz, -1 dB | 5 Hz - 89 kHz | |
THD | < -108 dB, < 0.0004 % | |
THD+N | < -104 dB, < 0.00063 % | |
Channel separation | > 110 dB | |
Maximum output level | +19 dBu | |
Output | 6.3 mm TRS jack, servo-balanced | |
Output impedance | 75 Ohm | |
Output level switchable | Hi Gain, +4 dBu, -10 dBV | |
Output level at 0 dBFS @ Hi Gain | +19 dBu | |
Output level at 0 dBFS @ +4 dBu | +13 dBu | |
Output level at 0 dBFS @ -10 dBV | +2 dBV | |
Line In 3-4, front | ||
As AD, but: | ||
Additional Gain stage | 0 up to +12 dB | |
Input impedance Inst | 470 kOhm | |
Input Gain Inst | +6 dB | |
CLIP LED | 0 dBFS | |
SIG LED | -60 dBFS |