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Presonus Quantum ES Ultimate Bundle
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RRP £430.00 Save £51.00
£379.00
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4 AvailableOrder before 1PM for FREE Delivery Tomorrow
Includes Extended Exchange & 3-Year Warranty
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Manufacturer's ID: 2777904104
EVERYTHING YOU NEED, NOTHING YOU DON'T.
The PreSonus Quantum ES Ultimate Bundle is your one stop shop for professional studio-quality recording. Featuring the high-performance Quantum ES 2 USB-C Audio Interface with all-new MAX-HD mic preamps, a Studio One Pro software license and 12 months of access to tools, extras, add-ons, and more with Studio One+, a pair of powerful Eris 3.5 Studio Monitors packed with low-end punch, a pair of HD9 dynamic high-definition headphones, and an exceptionally clear M9 cardioid condenser microphone, the PreSonus Quantum ES Ultimate Bundle gives you everything you need to create like a pro.
PreSonus Quantum ES 2 USB-C Audio Interface
- 2x2, 24-bit / 192 kHz USB-C Audio Interface
- High Performance Signal Flow – Custom low-latency drivers and low-noise converters.
- All-New MAX-HD Mic Preamps – The culmination of 30 years of innovation, our rigorously redesigned preamps feature digitally-controlled analog with +75 dB of gain range.
- Co-Developed with Fender® – Front-facing instrument input engineered for guitarists by industry-leading experts.
- Auto Gain – Dial in recording-ready levels, hassle-free.
- Universal Control App – Full control and metering from your mobile device, desktop, or tablet.
Studio One Pro 7 DAW Software Included
Your hardware registration includes a perpetual License to Studio One Pro.
PreSonus Eris 3.5 Studio Monitors
- 3.5-inch, woven-composite, low-frequency driver
- 1-inch, ultra-low mass, silk-dome, high-frequency driver
- 50W, Class AB dual amplification
- 80 Hz to 20 kHz frequency response
- 98 dB SPL (Peak, @ 1 meter)
- High- and low-frequency Acoustic Tuning controls
- Balanced, ¼-inch TRS inputs; unbalanced, ⅛-inch stereo and RCA inputs; and integrated stereo headphone amplifier with front-panel ⅛-inch output
- Protection: RF interference, output-current limiting, over-temperature, turn-on/off, transient, subsonic filter
- Power Saver mode (engages after 40 minutes)
- Comes with speaker wire, ⅛-inch TRS to stereo RCA cable, and stereo ⅛-inch TRS to ⅛-inch TRS cable
PreSonus M9 Microphone
- Exceptionally clear cardioid condenser microphone
- Vintage-inspired sound
- Satin nickel finish
- Die cast zinc housing
- 18mm pure aluminum diaphragm
- 20Hz-20kHz frequency response
- Shock mount
PreSonus HD9 Professional Monitoring Headphones
- Dynamic high-definition headphones with high-resolution drivers
- Precision-tuned acoustic chamber
- Extended bass response
- Comfortable and long-lasting ear pads
- Lightweight and collapsible
Specification
| Electronics | |
| Headphone Jack | One - 1/4" TRS Female Stereo |
| Connectivity | USB-C® |
| Voltage | 230V EUR |
| Input Impedance | 10 kΩ |
| Phantom Power | +48 VDC |
| Phantom Power Requirements | 48V |
| Performance | |
| Digital Audio Bit Depth | 24-Bit |
| Digital Audio Dynamic Range | 120dB |
| Headphone Maximum Power | 1800 mW |
| Headphone Rated Impedance | 40Ω |
| Headphone Sensitivity | 98 dB SPL (1 mW) |
| Maximum SPL | 134 dB (at 1 kHz = 1% THD) |
| Microphone Frequency Response | 20 Hz to 20 kHz |
| Microphone Sensitivity | -38dB±2dB (0dB=1V/Pa at 1kHz) |
| Peak SPL | 98 dB (@ 1 meter) |
| Polar Pattern | Cardioid |
| Inputs | |
| Instrument Inputs Dynamic Range | 111 dB (A-Weighted, Minimum Gain) |
| Instrument Inputs Frequency Response | 20 Hz to 20 kHz, +/- 0.2 dB (Unity Gain, Reference 1 kHz) |
| Instrument Inputs Gain Range | 75dB |
| Instrument Inputs Maximum Level | +15 dBu (Unbalanced, Minimum Gain) |
| Line Inputs Dynamic Range | 114 dB (A-Weighted, Minimum Gain) |
| Line Inputs Frequency Response | 20 Hz to 20 kHz, +/- 0.1 dB (Unity Gain, Reference 1 kHz) |
| Line Inputs Gain Range | +/- 10 dB |
| Line Inputs Impedance | 10K Ohms |
| Line Inputs Maximum Level | +15 dBu (Balanced, Minimum Gain) |
| Line Inputs Total Harmonic Distortion | 0.001% (1 kHz, Minimum Gain) |
| Microphone Input Connection Type | XLR Female (Combo), Balanced |
| Microphone Preamp Dynamic Range | 113 dB (A-Weighted, Minimum Gain) |
| Microphone Preamp Equivalent Input Noise | -129 dBu (Maximum Gain, 150 Ohms, 22 kHz BW, A-Weighted) |
| Microphone Preamp Frequnecy Response | 20 Hz to 20 kHz, +/- 0.2 dB (Unity Gain, Reference 1 kHz) |
| Microphone Preamp Gain Control Range | 75dB |
| Microphone Preamp Input Impedance | 1600 Ohms |
| Microphone Preamp Maximum Input Level | +14 dBu (Balanced, Minimum Gain) |
| Microphone Preamp Total Harmonic Distortion | 0.001% (1 kHz, Minimum Gain) |
| Speakers | |
| Crossover Frequency | 2.8kHz |
| Hardware | |
| Cabinet Material | Vinyl-Laminated, Medium-Density Fiberboard |
| Audio Controls | Volume High Frequency (±6 dB, center 10 kHz, continuously variable) Low Frequency (±6 dB, center 100 Hz, continuously variable) |
| Driver Type | 45 mm, Neodymium |
| Microphone Element | 18mm pure aluminum diaphragm |
| Microphone Types | Condenser |
| Midi IO | 3.5 mm Type-B |
| Monitor Inputs | 1- Stereo 1/8", 2 - Balanced 1/4” TRS, 2 - Unbalanced RCA |
| Power Amplifier Type | Class AB |
