Vocal Microphones
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Shure SM58 Microphone
Shure SM57 Microphone
Shure Beta 58A
Yamaha DM105 Dynamic Microphone
Shure SM7B Mic
Audio Technica AT2020 Large Diaphragm Condenser
Shure SM58SE Switched
Sennheiser E835 Cardioid Dynamic Microphone
Shure BLX24UK/SM58 SM58 Vocal System
Shure BLX288UK/SM58 Dual SM58 Handheld Wireless System
Shure PGA58-XLR-E
Neumann U87 Ai Nickel Studio Set with Shockmount
Sennheiser E935 Cardioid Dynamic Microphone
Shure BLX24UK/B58 Beta 58A Vocal System
Shure Beta 57A
Neumann TLM-102 Nickel Studio Set Inc Shockmount
Sennheiser E835-S Dynamic Microphone
Shure MV7X Dynamic Microphone
Shure SH-55 II Classic Microphone
Shure PGA58BTS Microphone Pack
Neumann KMS105 Handheld Condenser Mic Black
Neumann KMS 104 Plus Handheld Condenser Mic Nickel
Universal Audio SD-1 Standard Dynamic Microphone
Shure KSM8 Black Dualdyne Microphone
Neumann U87 Ai Black MT Studio Set with Shockmount
Shure SM86 Handheld Condenser Microphone
Shure Beta 87A Electret Condenser Vocal Mic
Shure Super 55 Deluxe Vocal Mic
Rode M3 Mic
Sennheiser e845 Vocal Mic
Shure BLX1288UK/SM35 Dual Wireless System with SM35 and SM58
Neumann TLM-103 Black Studio Set
Shure PGA57-XLR
Shure SM48-LC
Sennheiser MD421 II
SE Electronics sE2200 Condenser Microphone
Rode NT-USB+
Marantz MPM-1000U
Sontronics STC-20 PACK
Shure KSM9 Mic Grey
About Vocal Microphones
Vocal Microphones are vital to any gigging singer, studio musician or even streamer/podcaster. With that said it can be a whole world of questions when you're first exploring vocal mics, so let's start with types such as dynamic microphones and condenser microphones. Comparing the two, dynamic mics (such as the Shure SM58) are typically more rugged, less sensitive, more directional, and do not rely on external power to operate making them great for live performance.
Vocal microphones (Such as the Rode NT1A) typically have less sound rejection, a high sensitivity, and must be powered by 48V Phantom Power on an interface. Another term you may see when looking at vocal mics is polar patterns, this refers to the area the mic will pick up sound. Vocal microphones are typically, but not always, cardioid meaning they pickup sound directly in front but not behind which is why they are chosen for live use. Vocal mics can have a variety of patterns from bi-directional (sound from the front and back), Omnidirectional (sound from all around), and supercardioid (sound mainly from the front but some from the back). There are exceptions to each but these are the terms to look out for.
The last term to help make your choice is diaphragm size. In simple terms, a large diaphragm mic (often used on drums, guitars and loud vocals) means it takes more sound volume going into the mic before it begins to pick up a signal. A small diaphragm mic (can be used for detail like spoken word) means it takes less sound volume before it starts to pick up a signal. Now that you know these terms it should be easier to choose the right vocal microphone for you. You don't have to go for expensive mics to get a great sound, if you're starting out look for a mic with a neutral frequency response as this means the mic won't colour your sound and you get a natural tone. Vocal mics are versatile microphones and work both live and in the studio due to their great sound rejection for ambient noise. Vocal mics are good for the studio musician or producer looking for something to pick up all the detail of a voice or even an acoustic guitar!
Why Should I Choose a Vocal Microphone?
- Designed for vocals and their intricacies
- Designed to handle live use
- Vocal mics are versatile enough for vocals and acoustic guitar!